Nature, a five-mile drive, 2002

Nature, a Five Mile Drive 2002

Project Statement

In our modern world advanced by technology, experience of the real is often mediated by the virtual: television, movies or email. With the globalization of economies, widespread and ferocious industrialization, rapidity of communication and commerce and the shift to hypo-real lifestyles, the very nature of our lives has changed. Work entails the exchange of information. Leisure is often sedentary and indoor. And agriculture is managed by a distant corporation. Nature has become an abstract concept; something that we see through a car window, passing at 55 mph.

Society has become disconnected from Nature—the very source of life. The ecosystem that we rely upon for our survival, we poison without second thought. As cultural disconnection from Nature continues to develop, it has become imperative that Nature in art and art in Nature provide a connection to the power and meaning of life. By re-instilling a respect for all life (which does not necessitate an avoidance of death, but an honoring of all life that we consume) and respect for the earth’s resources (which means using fully that which we take and not taking more than we need), we can reestablish a harmonious relationship to Nature and enjoy lives of greater comfort, peace and health.

It has been the responsibility of artists to mirror society, to challenge accepted thinking and to provide a critical voice. I intend works such as Nature Viewers, Found Poster Series and Nature: a Five Mile Drive, to challenge our relationship to Nature and its resources. I challenge us to take responsibility for our actions, regardless of comfort and convenience, because we must. In these works, Nature is the medium conceptually and physically. By creating art that places the body in a new, sensual relationship to the work, Eco-artists re-insert the body into Nature, seeking to reestablish Man as part of Nature—no longer removed from it. Through my work, I ask for recognition of your own physical presence and connection to the land, our complicity in these specific situations and our inter connectivity to the entirety of life. While this can be appreciated through documentation of my own and other Eco-artists’ work, I encourage you to also explore the work of Nature in Nature with the sun on your face and the wind at your back.

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